Currently I am the official LNS Crew DJ and Fuzd b boy crew DJ and also a current B Boy City prospect DJ. With the hip hop group LNS we are under management by Complex Entertainment(Houston). We do a lot of concert with Score More and have been opening up for acts like Curren$y, Pac Div, Big Sean, and The Cool Kids to name a few. B Boy City holds a monthly battle at Ruta Maya's and I do the opening set with old school hip hop and planet rock style beats. The FUZD crew I Dj for when they throw there larger events like the annual Isangmahal event in conjunction with the Philippine Student Association at A&M. I also have a mixtape I publish every month or other month depending on my schedule titled "Hip Hop Sessions". There are currently 4 vol.'s and a 5th coming out in mid to late Dec. With the 4th Vol. Receiving rave reviews and 200+ listens in 4 days.
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Eddie J (EJ) born and raised in A, TX; has always had the love for music. As a young kid I listened to the records my mom used to play, and didn't know at the time that it would have a big influence on my style of music production later in my life. I remember loving to dance to the music, especially when my mom used to ask me to entertain our guest. I knew that some how I would be a part of making music so other people could feel as good as I did. I bought a bass guitar and a small amp from a pawnshop, and began learning how to play. There were two brothers (Duke & Chop) who lived across the street from me that played in a blues band and taught me some nice licks and used to let sit in and jam with them. Man, I wish I knew where they were now, so I could share with them what they help create.
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I was born and raised in a Midwest steel town. After a couple of weeks “working in the mill”, I met a harp player named Malcolm Gibson and that was that. Right after I started college I met these old "beats" who filled my head with life "on the road". Off I went with my axe and 20 bucks, bound for everywhere. In Chicago, Brownie McGhee told me, "you got a right to sing the blues 'cause you ain't never goin’ home". That was in 1969. Man was he right. Claiming neither place nor stone, I have traveled and worked and played all across the U.S. of A. Back then a few of us decided that the country blues tradition should be preserved. I was enthralled with the cats being "rediscovered", like John Hurt and Lightning, and the renaissance of old country blues.
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